Specificity of Creative Universalism of the Ukrainian Diaspora Bandurists

The purpose of the research is to determine vectors creative universalism in activities bandura artists Ukrainian diaspora 20th – early 21st centuries. article analyzes principles and manifestations art diaspora. personalities diaspora, whose work has become a manifestation context actualizing need generalize analyze achievements abroad as part musical culture, are highlighted. methodology involves use historical, axiological, musicological cultural approaches methods. They allowed considering players non-national environment (historical approach), value their various creativity (axiological comprehensively present contribution world treasury culture from standpoint (musicological culturological approaches). scientific novelty lies introduction into circulation analysis activity universalism, priority type or synergy. Conclusions. In during beginning century, performing direction been defined (leading one). It covers different types performance soloist participant, conductor ensemble, recording combination some all these types. Auxiliary areas such design (substantiation models manufacture); composition (creation author’s compositions, arrangements, arrangements for personal students followers); pedagogical methodical (teaching formation game methods); journalistic (publishing articles, monographs press publications); administrative organizational (management educational institutions, centres, management teams, managerial (preparation concert, recording, publishing, festival events), etc.